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'The Thieving Magpie' sparkles at Glimmerglass Opera Festival (Review)



Those interested in brilliant, bright issues will put “The Thieving Magpie” at the high of their summer entertainment lists. Glimmerglass Opera Festival’s glittering production of the hardly carried out opera is a musical confection, a deal with for ear and eye that runs via Aug. 25.

While most American Citizens are accustomed to Gioachino Rossini’s overture to the serio-comedian piece— from “A Clockwork Orange” and Bugs Bunny—few have Seen all the opera carried out in its unique Italian. If Truth Be Told, says Francesca Zambello, inventive and basic director, It Is possible that the Glimmerglass production is the North American most popular of that model.

Rossini reportedly boasted that he had sufficient talent to show a laundry list right into a tune. He’s recognized to have composed abruptly and prolifically, but he often neglected closing dates. Legend holds that the sponsor of the La Scala optimal of “Magpie” had to lock Rossini in a room and power him to complete the overture on time for opening night time in 1817. It Can Be stated Rossini tossed achieved pages out a window separately, and so they have been rushed to ready copyists.

The famous overture, which opens with a snare drum roll and continues with armed forces marches and colorful melodies for roughly 12 minutes, will get an progressive remedy at Glimmerglass. Director Peter Kazaras brings theory characters on stage to pantomime the plot as Joseph Colaneri conducts the phenomenal Festival orchestra. The silent action is led by the non-singing Magpie, played by means of Meg Gillentine, who perfectly mimics the avian behaviors of the larcenous bird.

The Magpie instigates conflict through stealing silverware from the desk of Lucia (Leah Hawkins) and Fabrizio (Calvin Griffin) Vingradito, who are making ready for the return of their son from the army. Lucia blames the innocent maidservant Ninetta for the thefts and, in an advanced collection of plot twists, the good Ninetta is thrown into detention center and despatched to the gallows. She is saved via her bosses’ son, her actual love Gianetto, after their buddy Pippo finds the missing fork and spoon Within The bird’s nest.

All but three of the 11-member solid are in Glimmerglass’s Younger Artists Program, bringing contemporary voices and Excessive energy to their work. Viewed on opening night time, July Sixteen, the convey was once already a cohesive storytelling feat enacted via greatly gifted performers.

Rachele Gilmore, as Ninetta, dazzled the entire house along with her pure-tone coloratura soprano in a role that demands virtually constant on-stage presence and quite a lot of singing. Her opening aria drew shouts of “brava” and loud applause, and her Efficiency most effective grew more desirable during the two-act manufacturing.

A former Glimmerglass Younger artist, Gilmore has long past on to roles at the Metropolitan and Different main opera companies of the arena. Her reputation comes as no shock, since her velvety voice is accompanied via fantastic acting. She conveys a comic tone when the lecherous mayor (Musa Ngqungwana) asks her to read an arrest warrant because he has forgotten his glasses. Realizing it’s for her fugitive father, she intentionally misreads the file. In stability, her gallows scene close to the top evokes a heartfelt experience of martyrdom.

Suave, good-looking Gianetto, enlivened by way of Michele Angelini’s dramatic tenor, is the best in shape for Gilmore’s Ninetta. Persistently in control of the Italian textual content, he glides with supple timbre through Rossini’s ornamentations.

Gianetto’s opening aria in Act I reasons the entire Other maids to swoon, however He Is drawn handiest to the girl he has come home to wed. In Act II, he momentarily voices doubt about her innocence, and Ninetta sings, “You Are Going To weep to your error.” He replies, “I Can’t imagine she’s guilty.” When their voices mix in solidarity, the target audience understands why Rossini is known as a grasp of “bel canto,” and why these artists are acclaimed for gorgeous singing.

Different duets, especially Those of Ninetta and her father, sung through Dale Travis, and Ninetta with Pippo—a show stopper that comes late in Act II—are superbly phrased and delicately balanced. Pippo, a loyal buddy, is enacted with endearing sprightliness by way of Allegra DeVito.

Every part of the production contributes to its inventive success. Recitatives are exciting; musicians—particularly Christopher Devlin on the continuo—play masterfully; costumes/make-up imbue a whole forged with avian characteristics, and lighting fixtures works flawlessly to evoke the mood of each scene. Within The silhouette of tree branches that frames the motion are also visions of enormous hovering wings, and the spiraling detention center cell is all stylized feathers.

Glimmerglass ingenious group individuals have programmed a hit with “The Thieving Magpie,” Rossini’s exquisitely scored melodrama wherein all ends fortunately for a troublesome chook, a good maiden, and a debonair suitor.

THE SMALL PRINT:
What: Rossini’s “The Thieving Magpie” in Italian with English projections.
The Place: Alice Busch Opera Theatre, 7300 State Highway 80, Cooperstown, N.Y.
Efficiency: Reviewed July 16, runs in repertory via Aug. 25.
Working Time: 2 hours, 50 minutes with one intermission.
Complete Season: Online at www.glimmerglass.org
Tickets: www.glimmerglass.org or call 607-547-2255.
Prices: July Most Well-liked Pricing for financial savings.
Parking: Free in neighborhood loads.
Meals: Picnic on the grounds or buy food and drinks.

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